Daniele Volpe is a documentary photographer based in Guatemala. He is a frequent contributor to The New York Times, Wall Street Journal, Washington Post, National Geographic, Geo France, Geo Germany and Stern, among others. He is also a contributing photographer for UNICEF, United Nations High Commissioner for Refugees (UNHCR) and the International Committee of The Red Cross (ICRC). He was twice awarded for the World Press Photo and his works have been recognized in other international contests such as the Picture of the Year International, The National Press Photographers Association (NPPA). His most extensive project, “Ixil Genocide,” focuses on the aftermath of genocide in Guatemala, explores the Ixil society and the impacts of violence against them.
The project raised awareness about food insecurity and climate change in a region known as the "Dry Corridor," which runs from the central to the southeastern part of Guatemala and is home to approximately 10 million people. A powerful and poetic collection of photos focused on child malnutrition, food and water access, harvest and daily life was developed and shared using traditional media, exhibitions, screenings and talks to engage local audiences as a means to impact decision makers on public policies. Throughout the project, Daniele met with 50 community leaders, 18 nurses and 150 community members to discuss climate’s effect on agriculture and efforts to monitor health and disease prevention.
Daniele participated in the IVLP Project A Global Moment in Time: Photojournalists Document the Challenges and Opportunities in the COVID Era, organized by the U.S. Department of State and World Learning.
Daniele's exchange experience led to the development of his IVLP Impact Award Project: "I'm feeling inspired by the visit we had to the Portland Art Museum, during the exhibition Perspectives. It was a collection of 60 images from different local authors, taken during the Black Lives Matter protests in 2020. The exhibition aimed to keep a spotlight on a topic that, even after the end of the protests, unfortunately is still present among the local community. The images help memory and contribute to building the social fabric around that specific topic."
Washington, DC; St. Petersburg, FL; Portland, OR
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